There is as much energy in my painting as in the attitude of this horse. It’s for this reason that I like to paint horses in motion, I feel connected to them in my way of being in front of the canvas and in what is transcribed in there.
—
“Equine Nude 132t”, 40 x 40 cm on canvas
âš Available on my Etsy shop
I could say many beautiful words about him as I’m so fond of him. Is it necessary though?
He speaks by himself, all through his expression, his attitude, his eyes, his posture⊠no words are needed.
And when it happened that one of my collectors had the same crush and wanted him⊠I felt overwhelmed by joy and some tears have flown. It was so right at that precise time. He was for her.đ§Ą
I love my job for those moments as well. It’s my being mission and I’m always so grateful. Every day. đ„°
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Painting on canvas, 92 x 73 cm
đŽ Sold
One year ago, I bought a liquid charcoal tube kind of charcoal paint by Nitram Charcoal. I love trying new things! So I asked you to give me some inspiration through your pictures of your horses.
You were several to send me pictures and that was so great! I’ve had the choice among beautiful horses.
Then a week ago, my heart choose Lorenzo, Manda’s horse. Their story and the charisma and special little thing I felt in Lorenzo touched me deeply đ„°.
Lorenzo in charcoal is born.
Technically, I’ve had to correct the big angle of the photo that it made us feel his hindquarters are smaller than his forehand. That would have been very weird in the drawing!
âš Show the video of the making off here
Long story short⊠first it was a private joke with one of my best friends. Then it became a challenge to put them in the matter.
I’ve so much enjoyed doing bananas that I’ve made 4 paintings!
Bananas are very different from horses (really đđ?). They could seem easy to do, just one line (the outline) and some yellow and⊠done!! Horses are quite the opposite: a ton of lines and colors.
But what is simple can hide something complex.
I was surprised to discover that I was able to paint bananas and that the result really enjoyed me!
That how has come up 4 paintings of bananas (Visible on this gallery). 3 of them are sold. Remains just 1 (Available on my Etsy shop), the first with which all startedâŠ
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I’ve made this painting in 2009 from a painting of Jean Edouard Detaille. I still have it in my studio.
At that time I loved very (very) expressive attitudes and this one matched well that desire.
At my age (not that old đŹ), I think I’m much more in the subtlety of the feelings, not anymore in the obvious ones. Even if I love them anyway.
Did you see that one ear and tail was there đ„ł ?
*** painting on paper stretched on a wood frame, 80×80 cm
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This thing about ears that seem to miss for some people. While for others, they even noticed that they don’t appear.
It fascinates me.
It was at first an unconscious choice as if intuitively I knew that ears don’t do everything.
Finally, little by little, it was a real choice from me. I think that ears are too obvious for equestrian people, I don’t want them to be focused on them too much. I want them to be able to really feel what the horse sends back to them as a sensation. Because that feeling can change from one day to another.
Sometimes, the horse will be serene, other times, he’ll be curious or a bit intrigued. If I would have painted the ears, there wouldn’t be this infinite possibility.
The last thing is that the central point in my portraits is the eyes. I want the focus to be on the eyes. They tell so much.
đ The question for you is: is this horse doesn’t allow you to feel something, even without ears?
đ this painting is available on my etsy shop
âïž painting on canvas, 50×50 cm
Each one has its own shadow part no matter if itâs a good or a bad one. That’s even not the question. It’s just here.
Itâs a part of us that we often donât like very much, don’t want to reveal or we want to keep it secret like a gem or because we have a shame on it.
Whatever it is, itâs here, inside of us and we have to cherish it, love it and with gratefulness as well as the light part.
The light part is often the easiest to talk about. In our head, it sounds more positive.
But we also forget that light doesn’t come without shadow, like the day without the night. The most important thing for me is to be aware of both to be complete.
đ « The Shadow Part », painting on canvas, 80×60 cm
đ available on my website here
From the Eloquent Collection, it remains this painting. The biggest one.
I’m so grateful to those who have found in my horses this little something that we have trouble to really explain. Something related to a deep call, which looks like an instinctive or subtle connection or an expression we already met, a horse we recognize.
Whatever it could be, it’s strong, powerful and you love it in one sight.
It sparkles in the belly, it opens in the heart who beats stronger.
The power of art.
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I did it!!
Yes I added the video of the drawing demo made with the charcoal powder. Good things come to those who wait for, don’t they? đŹ
You can find it in full on my Youtube Channel here.
Hope you’ll like it. And most of all, that it will inspire you! Feel free to show me your drawings!
The original drawing is available here on my website.
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For me, color is a path.
While drawing is quite natural. I barely think when I draw lines. Colors ask me to use my brain. And I don’t like using my brain when I paint.
That’s probably why my palette is enriched slowly from year to year.
I considered myself more a drawer than a painter. As I don’t like labels we can put on ourselves, it’s not set in stone. I evolve, I’m curious, I love colors so I try, I experiment and finally I use colors as I love to use them: with joy & by playing with them!
If for now, I didn’t use purple because itâs not a color that calls me, I let open the possibility of one day I could play with it.
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