THE CALL
I wanted to come back on this black and white painting. Of course I have to talk about the technique which is intrinsically connected to the meaning. I’ve worked on the global shape before the line here. As a moving horse, it reinforce this idea of movement. His shapes merge and are blurred because of the speed.
But not enough to pass through his look because he is totally connected with the spectator, focused on him, on us. Maybe he want us to move, to do something (and this could be taken literally or… not!), he calls us to be part of something. For sure he’s never in the judgment but in an open curiosity, a unconditional love. While the b&w allows to keep the essential with a big and beautiful contrasts with deep greys like I love.
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graphite & black chalk drawing on paper
DIVE INTO A PAINTING
Talking about my paintings has used to be a so much hard exercise for me during years because I didn’t really know me, not at all actually. I found out that the more I was aware of what I was, the more I could talk about my art. And the more I talk about my art, the more I know me.
These are my interpretations of the moment of one of my paintings. You could have yours and it would be very fine, this is the magic of art. It actually allows our own feelings, our vision of life to express through the mirror of the art. Follow your heart and it’ll tell you your truth.